Kaye and I have been together for twenty-three years today. It’s never something that’s noted by anyone, though at least my mother has known the date for a good many years now. I feel pretty sure that she’s sent my brother and his wife anniversary cards since September, 1996. It’s not that I want any fuss. In practical terms, I’m somewhat relieved that it goes unnoticed. I’m somewhat reserved, and in this case, Kaye is more so. I’m happy, proud and lucky to have Kaye, and that’s the important thing by far. It’s just maddening somehow that other people don’t recognize us as a couple like any other. I guess that’s because there is no couple to match us.
If there is someone out there pulling the strings, I would like to say thank you.
Monday, April 7, 2008
Recognition and Thanks
Tuesday, March 18, 2008
Genius and Perspective
“You can’t read any genuine history – as that of Herodotus or the Venerable Bede – without perceiving that our interest depends not on the subject but on the man – on the manner in which he treats the subject and the importance he gives it. A feeble writer and without genius must have what he thinks a great theme, which we are already interested in through the accounts of others, but a genius – a Shakespeare, for instance – would make the history of his parish more interesting than another’s history of the world.” – Thoreau, March 18, 1861
Somewhat later, Oscar Wilde noted that "Every portrait that is painted with feeling is a portrait of the artist, not of the sitter."
Both Thoreau and Wilde seem to be supporting my earlier claim that observation is as important as creation. (If they aren't, well, what’re they going to do about it?) You can’t be creative without appreciating (in the sense of noticing) your corner of the world, whether it consists of you and a cat in two rooms or you on a concert tour. But you need time and space to appreciate things, and that would seem to make a more hermetic existence richer in detail than that of “normal people,” since you’d have to zoom in on your subject instead of seeing it from far away. The globetrotter would see things from a different vantage point than the near-hermit. The astronauts who gave us pictures of an earthrise gave us a sense of ourselves in a different way, and Michael Collins (the American astronaut, not the Irishman) had a then-unique perspective: when he was orbiting the moon while Buzz Aldrin and Neil Armstrong were on the lunar surface, half the time he was on the dark side of the moon, making him further removed from the earth than anyone had ever been. Either way, though, we realize that there is another world – either a microcosm or a macrocosm – that should humble us from our egocentric universes. I’m not sure I’m capable of extracting myself from my self-centered universe, but at least reading others’ accounts of their world makes me aware of them. Perhaps genius requires observation. Or is it the other way around?
Monday, March 17, 2008
Flaubert on the Novel
"The story, the plot of a novel is of no interest to me. When I write a novel I aim at rendering a color, a shade. For instance, in my Carthaginian novel, I want to do something purple. The rest, the characters and the plot, is a mere detail. In Madame Bovary, all I wanted to do was to render a grey color, the moldy color of a wood-louse's existence. The story of the novel mattered so little to me that a few days before starting on it I still had in mind a very different Madame Bovary from the one I created: the setting and the overall tone were the same, but she was to have been a chaste and devout old maid. And then I realized that she would have been an impossible character." -- Flaubert, March 17, 1861
I've been trying to get this notion into various people's heads for a while now, and they just give me a blank look. They think a book is supposed to be about something. Not necessarily. And I know that whenever I create something, it inevitably takes on a life of its own. Sometimes it's a keeper; sometimes not. It's always a surprise.
Friday, March 14, 2008
Studying the Guitar
I’m hoping to begin guitar lessons next month. It’s really prohibitively expensive, but (potentially) priceless. And I’d do it on a month-to-month basis, so if I don’t like it or start living on couscous, I can bail. It’s just these four nice guitars I have staring at me, and twenty years of music I’ve bought – and sometimes learned – with the idea that sooner or later, I’d have time for it. When I was programming, I didn’t have time for it. Sometimes I went in at 6:00 AM and left at 11:00 PM. Once, I even got called at home at 11:30 PM after working until 11:00. The message was waiting for me when I got home. Grad school and teaching didn’t leave me with loads of free time, either. Now I have loads of free time and am overwhelmed by all my choices. I don’t expect much sympathy here. But I think I need guidance to move from classical to folk guitar.
Of course, my mother said that I was just always starting new things and never finishing them. I beg to differ (yes, we’ve been down this road before) – who comes up with the finish lines? I can read English better because of having studied French, Spanish and Italian, however sporadically. The cognates help with the words I’ve never seen before (mostly these came up in a few of the “Play for Rice” questions). That’s not nothing. All learning is good, if sometimes painful. I may never be able to speak these languages – and that’s never been my goal: I want to be able to read them and maybe understand them. My mother knows nothing about living in the moment. Funny, I talk to a former teacher who’s now a friend, and she always encourages my ventures. There’s never any of this “What happened to your conversion to Judaism?” or whatever. I learned something going to Temple. I learned a lot trying to piece things together. I could whine on, but I just want to say in really big font:
Is this a mother thing, or did I just get lucky? If she had her way in this wicked world, I’d do one thing for my entire life. Rant over. For now.
Sunday, March 9, 2008
Do unto others before they do unto you?
I’ve just finished reading Panzram: A Journal of Murder, by Thomas E. Gaddis and James O. Long. It’s about a serial killer, rapist (mostly of men and boys), arsonist, thief, batterer, and conspirator (albeit largely failed). I’m sure I’ve left something out. I’m interested in what makes people do such evil (and often just plain weird) things. This book bothered me from the start, though, and I almost stopped reading it. The thing was, I felt empathy for the serial killer, and that’s a scary thought. Usually I’m a mix of sadness and perverse amusement at what lengths people will go to to hurt people for no reason. People can be very creative in their meanness. But this guy was abused, neglected, raped, and in reform school (a century ago) by the time he was eleven, where the abuse and neglect were carried to new heights while the rape continued. So he became a rapist, a random serial killer who hated mankind (including himself) and felt no remorse for what he’d done. I guess my empathy would end there. I’d feel remorse. But I can understand his wanting to get revenge, I guess. I made a lot of promises to myself when I was little – not that I would go on a killing spree or anything, but just that I would remember what happened then when I grew up. I have a reputation in my family for one who holds a grudge. It’s true. I promised a little girl I would remember her.
I forced myself to finish the book despite my discomfort. What I am coming out of this book with is the message that “[d]o unto others as you would have them do to you” (Luke 6:31, KJV) is not so much a rule that Christians (and humane people in general) should live by but one that anyone with common sense should live by out of self-preservation if not humanity. I don’t know what a modern psychiatrist or FBI criminologist would make of Carl Panzram, but I suspect that if he’d been treated better earlier in his crime spree (which began with public drunkenness at the age of eight), he wouldn’t have been the monster he became. So whether you want Jesus to love you, to be a humane individual, or just look out for number one, you ought to be kind to people. Not a new idea, but I’m glad I finished the book.
When he finally gets hanged (not a spoiler, as it’s in the introduction), he says something to his hangman that I think is a wonderful, if nasty, expression of the individual: “Hurry it up, you Hoosier bastard! I could hang a dozen men while you’re fooling around!” You have to admire his spunk, if not his actions.
I’m not so worried about my occasional empathy with the guy anymore. He had a far rougher childhood than mine. He just never forgot what people had done to him. I must stress that I don’t approve of or empathize with his actions, just to get that straight. I simply have a sadness not just for Panzram’s victims but for himself.
Wednesday, March 5, 2008
I Wonder as I Wander
I talked with my mother this afternoon. I talk with my mother on a more-or-less daily basis. She is willing to take my calls once a day. It sounds worse than it is, I guess. I mean, if I had to listen to me go on about nothing every day, I’d never answer the phone if it could possibly be me. Today, I was going on about the guitar and methods to try to use to learn it. She said, basically, that I start a bunch of things but never finish them. To a certain extent, this is true. To a certain extent, it may be a neurological quirk. Whatever the case, though, it is a characteristic my mother believes I should work to get out of. And, I might add, it is characteristic that she believes it. She is very goal-oriented.